Henry R. Van Til said that we are influenced by what we oppose and that is true. As Christians, we recognise error and distance ourselves from it. We try to be more consistent in the face of obvious inconsistency. However, we are not defined by the difference.
By contrast, the London Humanist Choir is a screaming example of people who are defined by their hate. They hate God. They hate the Lord Jesus Christ. And when the members of the choir gather, they sing in order to mock the Lord. That is their worship and their damnation.
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This week a new work was released after collaboration between Birmingham Cathedral and Tony Iommi of Black Sabbath. The Dean of Birmingham selected the words (based on Psalm 133) and the choral arrangement was by Paul Leddington Wright; but it is Iommi’s name that is attached to this work.
We might wonder why. After all, fans of Black Sabbath are unlikely to be interested in Christian-themed choral music, whilst regular attenders at Birmingham Cathedral are - hopefully - even less likely to be fans of Black Sabbath, with their occult and horror themes.
Such a collaboration is not only acceptable today, but it is immune to criticism. In Music Mania, we discover the roots of this modern attitude through events that took place in 1875.
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